Search results
Media in category "Tom Hamilton (musician)" The following 6 files are in this category, out of 6 total. 1951 Fender Precision Bass, owned by Tom Hamilton (Aerosmith) - Rock and Roll Hall of Fame (2014-07-12 16.04.53 by Zurich 99) (clip).jpg 731 × 2,081; 1.96 MB
Aug 5, 2019 · Normally we ignore press releases that run “Aerosmith - Steven Tyler (vocals), Joe Perry (lead guitar), Brad Whitford (guitar), Tom Hamilton (bass) and Joey Kramer (drums) - are a living piece of American music history” as made-up fluff from an overcaffeinated PR intern.
Tom Hamilton (born December 31, 1951) is an American musician, best known as the bassist for the hard rock bands Aerosmith and Thin Lizzy. He has regularly co-written songs for Aerosmith, including two of the band's biggest hits: "Sweet Emotion" (1975) and "Janie's Got a Gun" (1989).
Experienced Lead Singer with a demonstrated history of working in the music industry. Skilled in Harmonica, Guitar Playing, Songwriting, Studio Recording, and Live Performer. Strong arts and design professional with a BA Hons (1st class) in Music Performanc focused in Music Performance from Liverpool Media Academy. | Learn more about Tom Hamilton’s work experience, education, connections & more by visiting their profile on LinkedIn
- Little Triggers
May 4, 2014 · RockMusicStar recently conducted an interview with AEROSMITH bassist Tom Hamilton. A couple of excerpts from the chat follow below. RockMusicStar: During the last AEROSMITH tour, you had to take ...
Jan 15, 2015 · Tom has dozens of co-writing credits including the aforementioned “Sweet Emotion,” as well as “Janie’s Got a Gun, “Jaded,” “Critical Mass,” and “Sick as a Dog.” On latter-day slabs Pump (1989), Get A Grip (1993), and Nine Lives (1997) Hamilton harbors a growling low B to further underpin the Tyler’s hoops ‘n’ hollers coupled with Joe Perry’s raucous riffage.
May 14, 2016 · TOM HAMILTON has been composing and performing for over 40 years, and his work with electronic music originated in the late-60s era of analog synthesis. Hamilton often explores the interaction of many simultaneous layers of activity, prompting the use of “present-time listening” on the part of both performer and listener.
