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  1. 路易士·布紐爾. 路易斯·布纽埃尔·波托萊斯 (西班牙語: Luis Buñuel Portolés , 西班牙語: [ˈlwiz βuˈɲwel poɾtoˈles] ,1900年2月22日—1983年7月29日), 西班牙 國寶 級电影导演、电影剧作家、制片人,代表作有《 安达鲁之犬 》、《 青樓怨婦 (法语:Belle de jour ...

  2. Jan 10, 2020 · For what Buñuel learned then was how to bring his surrealist impulses within the limits of traditional genre and narrative. Throughout the 1950s and into the early ’60s, Buñuel also offers an early example, par excellence, of what we today call the transnational filmmaker. By 1950 he had already accumulated production experiences in Spain ...

  3. By Sven Mikulec Luis Buñuel was born exactly 121 years ago today. A prolific filmmaker whose work spanned over three continents and half a century, Buñuel is universally considered as the definition of a visionary artist who influenced and inspired generations of filmmakers and film lovers alike.

  4. Three Films by Luis Buñuel. More than four decades after he took a razor blade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations— The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire —in which his ...

  5. theyshootpictures.com › bunuelluisTSPDT - Luis Buñuel

    The second Luis Buñuel is the all-but-anonymous journeyman film professional. The third is the Mexican director. The fourth is the Luis Buñuel who gradually made his way back to Europe by way of a few French films made in alternation with films in Mexico. The last Luis Buñuel, following his emergence in the mid-1960s, was the past master, at ...

  6. Luis Buñuel La foto gallery. Cinema articolo Andrea Bellavita. Il cinema di Luis Buñuel Un'analisi de "L'Angelo Sterminatore" Cinema articolo Luis Bunuel visto da ...

  7. en.wikipedia.org › wiki › Él_(film)Él (film) - Wikipedia

    Él. (film) Él ( Spanish: Him; re-issued in the US as This Strange Passion) (1953), by Luis Buñuel, is a Mexican film based upon the novel by Mercedes Pinto. It deals with many themes common to Buñuel's cinema, including a May–December romance between a woman and her obsessively overprotective bourgeois husband, and touches of surrealism. [1]