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  1. Jun 23, 2019 · Lee Jamieson. Updated on June 23, 2019. Above all else, this Othello character analysis reveals that Shakespeare's Othello has gravitas. A celebrated soldier and trusted leader whose race both defines him “The Moor” and defies his lofty position; it would be rare for a man of race to have such a highly respected position in Venetian society.

  2. Othello, the titular character of Shakespeare's play, is a complex and multifaceted figure. He is a respected general in the Venetian army, a man of great courage and honor who has won numerous battles and the admiration of those around him. At the same time, however, Othello is vulnerable to jealousy and insecurity, which ultimately lead to ...

  3. May 30, 2024 · Jealous of Othello’s success and envious of Cassio, Iago plots Othello’s downfall by falsely implicating Othello’s wife, Desdemona, and Cassio in a love affair. With the unwitting aid of Emilia, his wife, and the willing help of Roderigo, a fellow malcontent, Iago carries out his plan. Learn about the characters of Othello as discussed by ...

  4. Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is a character in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .

  5. Othello by William Shakespeare, written around 1603, is a tragic play that delves into themes of jealousy, betrayal, and racism. Set in the Venetian Republic, the play follows Othello, a Moorish general in the Venetian army, and his ensign and antagonist, Iago. Othello’s marriage to Desdemona, a Venetian woman, becomes a focal point for Iago ...

  6. Desdemona is at times a submissive character, most notably in her willingness to take credit for her own murder. In response to Emilia’s question, “O, who hath done this deed?”. Desdemona’s final words are, “Nobody, I myself. Farewell. / Commend me to my kind lord. O, farewell” (V.ii. 133–134 ). The play, then, depicts Desdemona ...

  7. Emilia Character Analysis. Emilia at first appears to be one of her husband Iago’s puppets. When Iago wants to set up the appearance of inappropriate behavior between Cassio and Desdemona, he decides that “my wife must move for Cassio to her mistress” (2.3.) and shortly thereafter Emilia facilitates a meeting between Desdemona and Cassio ...