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  1. Overview. As You Like It by William Shakespeare, written around 1599, is a delightful pastoral comedy that explores themes of love, disguise, and the harmonizing power of nature. Set in the French duchy and the Forest of Arden, the play follows the fortunes and misadventures of Rosalind, who, disguised as a young man named Ganymede, seeks ...

  2. Get even more from the Folger You c a n ge t your ow n c opy of t hi s t e xt t o ke e p. P ur c ha s e a f ul l c opy t o ge t t he t e xt , pl us e xpl a na t or y not e s , i l l us t r a t i ons , a nd m or e .

  3. Complete text. As You Like It. 1 [1.1] 1.1.0.1 2 Enter Orlando and Adam. 1.1.1 3 Orlando. 4 As I remember, Adam, it was upon this fashion 5 bequeathed me by will but poor a thousand 6 crowns, and, as thou say'st, charged my brother, 7 on his blessing, to breed me well; and 8 there begins my sadness. My brother Jaques he keeps 9 at school, and ...

  4. Jun 1, 1996 · Title. Tales from Shakespeare. Contents. The tempest -- A midsummer night's dream -- The winter's tale -- Much ado about nothing -- As you like it -- The two gentlemen of Verona -- The merchant of Venice -- Cymbeline -- King Lear -- Macbeth -- All's well that ends well -- The taming of the shrew -- The comedy of errors -- Measure for measure ...

  5. Sep 22, 2014 · Compartir. Descargar AS YOU LIKE IT gratis en formato PDF y EPUB. Descargar AS YOU LIKE IT, de William Shakespeare. para kindle, tablet, IPAD, PC o teléfono móvil.

  6. SECOND PAGE. I'faith, i'faith; and both in a tune, like two gipsies on a horse. SONG. I. It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn−field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding: Sweet lovers love the spring.

  7. Shakespeare’s time. In As You Like It, characters lament the suffering caused by their love, but these laments are all unconvincing and ridiculous. While Orlando’s metrically incompetent poems conform to the notion that he should “live and die [Rosalind’s] slave,” these sentiments are roundly ridiculed (III.ii.142).