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  1. Vsevolod Illarionovich Pudovkin was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals.

  2. Vsevolod Ilarionovič Pudovkin (ruski: Все́волод Илларио́нович Пудо́вкин) (16. februar 1893 – 30. jun 1953 bio je ruski i sovjetski filmski režiser, scenarist i teoretičar, poznat kao jedna od najuticajnijih ličnosti u prvim decenijama sovjetske kinematografije.

  3. Vsevolod Illarionovich Pudovkin ഫെബ്രുവരി 16, 1893. Penza, Russian Empire (now Russia) ...

  4. Vsevolod Pudovkin's major contribution to the cinema is as a theorist. He was fascinated by the efforts of his teacher, the filmmaker Lev Kuleshov, in exploring the effects of montage. As Pudovkin eventually did in his own work, Kuleshov often created highly emotional moments by rapidly intercutting shots of diverse content.

  5. Vsevolod Illarionovich Pudovkin was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals.

  6. Pudovkin is listed amongst the great and the good of twentieth century directors: his influence is acknowledged by such diverse figures as Hitchcock and Kubrick, Zavattini and Mamet, and Walter Benjamin usedhis work as a vital source forhis studies of the aesthetics and cultural politics of the period.Vsevelod Pudovkin: Classic Works of the Soviet Avant-Garde is the first book on Pudovkin for more than twenty-five years.

  7. Vsevolod Pudovkin was a Soviet actor, director, and film theorist working during the first half of the 20th century. He studied chemistry at Moscow State University, and after fighting in World War I he enrolled at film school, only to quit in order to work as scriptwriter and assistant director to Lev Kuleshov.